The following is a series critiquing Communist themes in popular music. We have already looked at Kabbalah and its occult influence in music and Hollywood. This will focus more on overt Communist messages in music across all genres, with the understanding that Communism is a subsidiary of Satanism, Kabbalah, and the occult (also see my standalone article Rock of the Illuminati: the Def Leppard Story). Of course, the conditioning is done not only through the lyrics but in the music itself, especially with hypnotic beats and droning progression chords. We shall also attempt to explore that as well.
“In his How Music Expresses Ideas, Sidney Finkelstein, the recognized cultural spokesman for the Communists in the USA, sets forth the program with little ambiguity. Finkelstein calls for the destruction of the barrier between classical music and popular music and insists that African music is the true epitome of popular music. The goal is to inundate the American people with African music and disparage the importance of good classical and standard musical forms.” —David A. Noebel, The Marxist Minstrels – A Handbook on Communist Subversion of Music
I. Canadian folk group Reuben and the Bullhorn Singers deliver a powerful and emotion-driven melodic tune, named Powerful, mixing pagan North American Indian spiritualism and American folk. Folk has traditionally been dominated by Jews, much like other genres of modern music. The message here is clearly the socialist-styled oneness of all peoples and solidarity with all faiths. Personally, I find folk music very depressing and I don’t like my emotions to be played with deliberately by a certain an repetitive orchestration of notes. Crypto-Jew Bob Dylan is perhaps the most famous folk musician. He gained fame by pretending to be an American good ole boy. [Revolutionary] folk music, in its modern form, is making a big comeback. Everywhere I go I hear bands like Mumford and Sons, the Lumineers, etc. It’s in TV commercials, on the radio, played in lounges and stores, and friends are listening to it. I’m sick of hearing it.
II. Rage Against the Machine (depicted in the lead photograph of this series), perhaps the most overt Communist music group in the world, delivers your typical Marxist-themed narrative in their explosive hard-rock hit Killing in the Name Of. Full of vulgarity, anti-white, rebellious, and anti-police themes, Marxist lead singer Zack de le Rocha (of African and Jewish heritage), the quintessential black-wannabe hipster making millions of dollars from the same capitalist system he denounces, reaches the height of hypocrisy. The heavy guitar riffs draw in and otherwise non-Communist hard-rock-listening group of young people with which to brainwash with anti-white Marxism.
III. Lo Fidelity All Stars is an English electronic group that produced a song whose lyrics are almost entirely Communistic. The opening lyrics of its 1990s-era hit song Battle Flag starts with “Your construction…smells of corruption; I’ll manipulate, to recreate. This air to ground saga, Gotta launder my karma.” The song is then followed by a black vocalist spewing vulgarity and anti-police rhetoric. The chorus of the song, unsurprisingly, goes “Got a revolution behind my eyes, We got to get up and organize.” The song is entirely rebelliousness set to a catchy electronic tune.