Trotsky referred to origin of Soviet five-pointed star with Jewish false messiah Simon Bar-Kochba: historian Akunov
About the roots of Bolshevik symbolism
RLD
"Hey, who's raising the Russian flag?
The sickle on the kumach is sharped.
And the stars guard the domes,
Reliably controlling the hand of the executioners..."
Igor Talkov. "CPSU".
"We want to ask you to replace as soon as possible
On the national coat of arms hated by people sickle
and a hammer.
Enough!
Sickle and hammer - enough"!
Igor Talkov. "Mr. President."
"When the eastern and western sicles of the Moon form a single circle, a point of infernal gold appears in the center - the black star Saturn."
From the "Hermetic Postulate" by Irenaeus Philalet.
In the name of the Father, and the Son, and the Holy Spirit, amen.
At the very end of the bloody 1918, when the red-star and red-banner army of Lenin-Trotsky, literally crazy with the consciousness of the "World Revolution", which seemed so close to them, rushed to Riga, a Russian-German white militia, which entered the history of the Civil War under the name "Securdy of the Baltic Territory" or "Baltic Landeswehr", stood in its way. The insignia of the Russian, Baltic ("ostsey") and German ranks of this white militia were silver stars and alum stripes worn on the collar. The stars on the collars of the officers of the Baltic Landeswehr were quadrangular (as was customary in the German army).
Probably, the former officers of the Russian army who joined the ranks of the Landeswehr agreed to replace the five-pointed stars adopted in it with quadrangular ones, not least out of the feeling of the deepest disgust for the Bolshevik symbols, which had unambiguously Masonic roots, in which the five-pointed (in heraldry: "five-bladed") star (called by the Masons the "star of Solomon", "flaming star" or "star of the burning mind") played a primary role.
This, perhaps, the oldest (found on the Sumerian-Akkadian clay tablets dating back to the 3rd millennium BC, as well as, however, on the pagan runic stones preserved to this day in Scandinavia) witch sign, called by the followers of the secret society of the Pythagoreans "pentalph", and by the Gnostics and magicians of antiquity, the Middle Ages and the Renaissance "pentagram" (with the addition of the originally a sickle and a plow, and then a sickle and a hammer in the center of the star) was introduced as an emblem of the "worker-peasant" of the Red Army in 1918 by the People's Commissar (military and naval minister) of the Council of Soviets. L.D. Trotsky (Bronstein), who entered the bloody history of the Russian Troubles under the nickname "the demon of the revolution".
It's interesting that comr. Trotsky referred to the following historical precedent: in 132-136 of the new era, a red five-pointed star was depicted on the banner of Palestinian revolutionaries Simon Bar-Kochba, or, in the Orthodox tradition, Var-Kochba (whose nickname in Aramaic, in fact, meant "Son of the Star"), who rebelled against the Roman Empire. Simon Bar-Kochba (or, as he was also called, Ben-Kosiba), a cruel persecutor of the Christians of Palestine, rebelled against the Roman authorities of the Jews, declaring himself the "Messiah" (that is, from the point of view of every believing Christian - the Antichrist, for the true Messiah, our Lord and Savior Jesus Christ, had already come) and tried to restore the Jerusalem temple, which, however, he failed, according to the word of the "Sage of the Zion" by Rabbi Akiba (Akiva) addressed to him: "The grass will have time to sprout through your jaws before the Messiah appears."
Nevertheless, it is curious that it was the unsuccessful candidate for the Antichrists Simon Bar-Kochba who was considered his direct predecessor to be the "creator of the Red Army and the organizer of all its victories" of the People's Commissars of the Military. Trotsky, and with him, we must think about other worthy representatives of the Leninist Guard - "a steel cohort of Bolsheviks - selentless and unyielding fighters for the happiness of the workers of the whole world".
Actually, the question of the Masonic genesis of the symbolism of Bolshevism and world communism - the Signs of the Beast - is still waiting for its researchers. We will limit ourselves here only to pointing out some points that it is impossible not to notice, only if you really don't want it.
The red five-pointed star is truly hermaphroditically, androgynous, combines the Male and Female principles - as well as, however, another fundamental symbol of Bolshevism and communism in general: the notorious combination of Sickle and Hammer. The sicke, as you know, has always been considered a symbol and ritual attribute of the Cronus Saturn (like a revolution devouring its own children), as well as the planet of the same name and lead metal, which the planet Saturn corresponds to in alchemy and astrology. Saturn is considered by astrologers to be a gloomy, harmful planet associated with the most bodily, material aspects of existence (and in this sense best suited as a symbol of the materialistic false teaching of Marxism-Leninism). Lead, in turn, is considered in alchemy as a symbol of the body, that is, the most rough and material component of the human being.
In addition, it is known that at the ancient Roman festivities dedicated to Saturn - Saturnia - slaves temporarily took the place of lords during ritual actions. In the period of Saturnalia, all the normal logic of life was temporarily abolished. The opposite laws came into force - the laws of Chaos, Absurdity, clen cruelty and indecency. Similar Saturnalia were the initial periods of all revolutions (including the one that broke out in 1917 in Russia), in which "who were nothing, became everything!", former masters and servants, as it were, changed places for a while, until a new hierarchy was formed in fire and blood, even tougher than the pre-revolutionary one.
By the way, one of the names of Satan (as the embodiment of the principle of infinite divisibility and determination), who, destroying the world of God, seeks to construct more and more indefinite conglomerates of ghostly spaces - "Saturn Sector" ("Saturn the Rather", "Saturn the Cut-Sector", "Saturn the Cutter", "Saturn the Trimmer", "Saturn the Killer").
And the most important symbol and attribute of Saturn, as we have already indicated above, is the Sickle. With this ritual Sickle, Saturn-Kronos (and Kronos, not only in consonance, but also in essence was associated with Chronos by the ancient Greeks, that is, time) cuts the flower of human life when the end of the human life cycle comes. Therefore, death, murder, violence should in no case be regarded as random or optional episodes of communist history, not as inevitable in any big case "costs", "excesses" or "perversions of a positive idea in itself", but as a logical manifestation of the very "spirit" of the Bolshevik party, inexorably, initially acting under the sign of Death-Lead-Saturn.
Another component of the Bolshevik emblem - the notorious "proletarian" Hammer - is not without close connection with Death. The symbolism of Molot is most associated with its shape - the form of the letter "T" ("Tau" or "Tav"). Hammer-T actually means Death and End, because it is the so-called "Tau-cross", that is, a cross devoid of a vertical pointing upwards in relation to the horizontal line. If in an ordinary Cross the vertical crossing the horizontal embodies the spiritual influences coming from the sky (from above) to the horizontal of human (and cosmic) life, then the absence of the upper part of the Cross indicates the following. The heavenly, spiritual perspective of ascension is lost and only the prospect of descending, into the "subhuman", infernal, hellish regions of existence remained.
Of course, in the esoteric Tradition, the symbol of the "Tau Cross" had, along with the negative one described above, also a positive meaning - as a necessary initiatory test, as a dedication "indulgence to Hades (which means to Hell)", but outside the traditional context, all the "pragmatic" positivity of such a concept naturally disappears. In addition, in ancient Hebrew Alephbet, the letter "Tau" ("Tav"), corresponding to the sound "t", is the last one that marks the end of everything, and therefore it is symbolically correlated with the Greek "Omega" (as the last letter of the Greek alphabet).
In addition to the "harmonious" combination of these two equally sinister and deadly symbols in the emblem of Bolshevism, there is also a hierarchical relationship between them (that is, the relationship of domination and subordination). Thus, the Sickle is closely related to the Feminine Principle. Therefore, it is the Sickle that serves as an attribute of many pagan goddesses of antiquity - primarily chthonic or telluric goddesses (that is, associated with the Earth). In fact, the goddesses of the Earth carried in paganism (whose "spiritual" arsenal was adopted by Freemasonry) sacred (sacred) functions close to the functions of Saturn, being a kind of material, bodily, substantial support of the Manifested Creation.
But, in addition, the cult of the Goddess-Mother-Earth was associated with the ritualization (castration) of a man, with the loss by a man of his symbolic "Olympic" quality, his spiritual principle, and the dissolution of the form in the chaos of material potencies. This scling was carried out by the ritual Sickle (isn't it from here that the expression "sickle on eggs", preserved in the depths of folk memory, although, of course, in a very vulgarized form, comes from. Therefore, it is not surprising that the sickle is also found in the myth of Saturn-Kronos, who was sung against him - the Father! - son, Zeus-Jupiter. On the other hand, the Hammer is a man's tool, as having a definitely phallic character and associated with the images of the Gods-blacksmiths (in particular, with the Kabirs, Telhins and with Hephaestus-Vulcanus), and thus with the eternal, underground "Hellfire", on which the Gods-blacksmiths forge forms of creatures and things. Although an attribute of a man as a carrier of the Spirit, Light and Order, the Hammer is still inextricably linked with the lower, hellish spheres of existence, with the underground world of Hell.
By the way, the sexual specificity of this infernal pair of instruments, Sickle and Hammer, which makes up the emblem of communism, is brilliantly reflected in the famous monument of the sculptor Mukhina "Worker and the Collective Farmer". Both the Worker and the Collective Farmer are armed with symbols that exactly correspond to their mythological context. Armed with Hammer, "Worker", "Proletarian", "Master of the New World", is really an active, masculine principle of communist false theory, the main carrier of the Marxist-Leninist idea in practice.
In relation to the "Worker" armed with Sickle, the "Peasant Woman" (that is, the Peasantry) always remains a subordinate, secondary, passive and therefore truly feminine within the framework of their relationship - both symbolic and real, class - element.
The worker with the Hammer symbolizes the principle of Hellfire, the Heat of Hell. The collective farmer with Sickle, in turn, personifies the principle of Oscopation, Castration, Cold, Inertia and Passive (wet, Female) Matter.
Hermaphroditically, androgynously, combining both of these principles, the red five-pointed star of the Bolsheviks points to Fire with its color (that is, to the active male principle), and its form is connected with the feminine principle and the idea of castration (because unlike the six-pointed star-hexagram - the symbol of the Universal Man! - the five-pointed star lacks the sixth, the lower - "phallic" - ray!).
On the other hand, the red color itself is not only the color of Hellfire and Blood, but also the color of that clay (in Hebrew, clay is called "adamA", that is, "red", which will be discussed below), which half consists of the legs of the colossus, dreamed of the Babylonian King Nebuchadnezzar, which is told in the famous Old Testament book of the prophet Daniel.
The image of the "figure (idol, colossus) on clay legs" appearing there is a fairly clear expression of the cyclical concept of four "centurys" ("eons") of human history - Gold, Silver, Copper and Iron. The head is made of gold, the chest and shoulders are made of silver, the hips are made of copper, the legs are half iron, half clay. It is thanks to the presence of this clay that the colossus is doomed to fall from the "stone that broke off without the help of human hands", that is, it is because of the clay that the world is doomed to the inevitable end.
The difference between iron - a simple, innoble metal (the first ignoble of all four metals, like capitalism is the first non-religious, non-Christian formation) and clay, which is a generally alien element in the world of metals, logically opposite to metals as such (for if the main idea of metal is its hardness, then the main idea of clay lies, on the contrary, in its malleability) symbolizes the deepest difference between the "metaphysics" of capitalism and the "metaphysics" of socialism, doomed, nevertheless, to a sufficiently long coexistence.
And it seems especially curious that "clay" is the material basis of humanity in the perspectives of the biblical concept of Creation. For "clay", we repeat, in Hebrew - "adamA" (from which the word "Adam" comes, that is, a person created by God from clay - or, as it is said in the Russian translation of the Bible, from "earthly finger", that is, from a pinch of ashes, or earth). But at the same time, the word "adamA" also means "red", which makes the symbol even more accurate and alarmingly recognizable.
Just as "clay" is in the body of "Colossus of History" is an immanent (that is, originally inherent in it) cause of the fall of the "figure" (despite the fact that the true cause of its fall remains in the Will of God - in the "stone that broke off without the help of human hands"!), so the advent "in their own name" of the reds, logically (in any case, according to the ideas of supporters of traditional Christian views, to which we dare humbly classify ourselves) should lead to the end of the entire cycle of history, serving as the occasion and conductor of the End of Time (preceding the Transformation of the World in the Second Terrible and Glorious Coming of our Lord Jesus Christ).
In addition to the specified correspondences of "proletarian" communist symbols to fairly universal symbols, one can find another type of amazing coincidences of an even more specific nature. We are talking about a purely Masonic interpretation of some sacred doctrines by communism. Of course, the documentation confirming the historical contacts of Masons and Bolsheviks is extremely fragmented.
But, be that as it may, at the level of using quite specific symbols, this constantly felt, even if in an implicit, unexpressed form, as if "hanging in the air" connection can, if desired, be traced clearly enough. Although it should be emphasized that in this case we are talking about a special, very "irregular" (according to the terminology of the "free masons" themselves) variety of Masonic theory.
First, the correspondence of communist symbols to the symbolism of the Masonic degree of "apprentices" ("companions") - the second, intermediate degree between the "studen" and the "master" is immediately striking.
By the way, the term "companion" is translated into Russian and as "comrade", becoming not only an appeal to a party comrade, but also a synonym for "man" in any country with a communist regime and among communists in states with a different social system ("one comrade" came here, "a group of comrades", etc.).
The lodge of "comrade" degree, the box of "comrades" is inextricably linked in Masons with the number "five" - five steps in front of the pillars-columns "Voaz" and "Jachin" in the friendly bed, five lamps, five blows with a hammer of the master of the chair during ritual knocking, five symbolic "years of life" of the Mason, etc.
In addition, the distinctive feature of friendly Masonic associations - "companions", "Odd Fellows", that is, "Excessive (unclaimed) apprentices", is a five-pointed (and not a six-pointed, as in lodges of other degrees) flaming star. The degree of spiritual competence of "comrades" ("apprentices") initially extended to the so-called "middle world" (called the "astral world" in occultism), unlike the "disciple" (the lowest, first degree in the Masonic hierarchy), competent only in matters of bodily reality, and the "master" (the third, the highest in John Masonry, degree), who reached the highest spiritual and super-individual level. Although the "middle world" of Masons-"comrades" is not in itself something purely negative, but it is in this psychological plan, intermediate between the bodily (earthly) world and the spiritual (heavenly) world, according to the teachings of the Christian Tradition, that the "air Prince" lives - the Fallen Angel, Satan-Lucifer, literally (translated from Latin) - "Light Bearer", "Light-bearing", "Svetozar" - which again brings us to the symbolism of the "flaming star". If a person in the course of his spiritual development successfully overcomes trials ("tributions") in the "middle world", full of all kinds of temptations, then he becomes a "Master" ("Master", "Master"), "Mr", and is inextricably connected with the Spirit on the other side of the illusions of the "middle world". But the "middle world" is full of dangers.
Within the framework of the "Great Legend of Freemasonry" about Hiram Abiffa (Hiram Abi, Hiram Avia or Adoniram - "Adon Hiram", that is, "Mr. Hiram") - the Great Protector of the Jerusalem Temple of the One God of the One God of King Solomon of Israel (and this legend is an authentic paradigm, that is, the fundamental basis for the entire Masonic doctrine and the entire Masonic ritual in general, despite the differences between the Masonic "systems"), it is said about the betrayal of the Master by three "comrades"-apprentices who, out of greed and desire to know the "word of the master" (secret password) inaccessible to them, kill the Great Dector and the Great Master - Adoniram. It is especially important that the crime is committed by "comrades" - Masons of the second degree, and not "students" (first degree) and not "masters" (third degree). Thus, the source of Evil is rooted in the "middle world"!
The very nature of the treacherous crime committed by three "comrades" - the murders of their Master, Master and Teacher (all these concepts correspond to the original meaning of the Latin word "master", that is, "master") - best corresponds to the basic logic of the Marxist doctrine of the "dictatorship of the proletariat" - a kind of Universal Saturnals, rebellion against "lords", "masters", carriers of higher knowledge, the most popular Leninist slogan "looted robbery", more elegantly formulated by comrades Karl Marx and Friedrich Engels as "expropriation of expropriators" (illegal mastery of the "password", "master's word" as a key or code giving access to material well-being), etc.
Literally everything converges - down to the last detail - the mortally wounded Adoniram, who received the first blow - with a ruler - at the South Gate of the Jerusalem Temple under construction from the first "comrade" and the second blow - with a square - at the Western Temple Gate from the second "comrade", the third "comrade" ends at the Eastern Gate. Moreover, he finishes his Master and Master with the help of a hammer - the same hammer that shone with gold, together with the sickle, on Bolshevik orders and banners, on the banner of the Eurasian "pseudo-empire" (or rather - "anti-empire") of the USSR, the banner of the former "Eastern Bloc" ("Socialist camp") - in short, on that red banner, which, by the way, and in itself necessarily participates in the Masonic ritual, symbolizing the bloody sheet with which they cover the murdered "comrades" Adoniram.
The Soviet young Leninist pioneers, the Bolshevik version of Masonic scouts (trackers or scouts scouts) did not stay away from this disturbing logic of symbolism, who took a lot from the latter - from a three-edged tie with a Masonic knot to the motto: "Be ready!" - whose "pioneer salute" exactly repeated (and in some places also repeats it also repeats) the secret greeting of the Bavarian secret society of Masonic sense - the so-called "Illuminates" of Adam Weishaupt (nicknamed "Spartacus" - the connection of the Illuminatian tradition with Bolshevism can be traced on a variety of levels, starting with the creation by the German communists of the secret union "Spartak" and the struggle of "Spartakovites-brave fighters" for the violent accession of Germany to the Soviet "F world" in 1918-1923, and ending with an almost verbatim coincidence of the texts of the "anthem" of the Soviet young Leninist pioneers "Rise on bonfires, blue nights! We are pioneers - children of workers!" and performed on the same motif of the Masonic hymn: "Rise your hearts above all the stars, the Pink Cross shines before us!") - the palm raised to the forehead - initially symbolized the natural gesture of protection from the dazzling light emanating from the "middle world", the world of the Flaming Star, the world of Dennitsa-Lucifer, about which the modern Russian poet Nikolai Bogolyubov wrote with good reason:
"A star is burning over the pogost,
Poisonous like a fly agaric."
By the way, and the famous stanza of the famous poem by A.S. Pushkin (who also paid tribute to Freemasonry in his youth, joining the Chisinau lodge "Ovid"):
"Comrade, believe me, she will rise,
Star of captivating happiness!
Russia will wake up from sleep
And on the wreckage of autocraty
They'll write our names"!,
can be correctly understood only in this purely Masonic context, where the "free-to-sasson" terms "comrade", "star" and "rebellion against autocration" are combined, that is, against the legitimate and justified power of lords, masters, masters.
By the way, the uniqueness of the very date of the Bolshevik "Great October Socialist Revolution" is not devoid of interest in this regard. In the book of the prophet Daniel, in the same story about the "colossus on clay legs", the size of the statue is mentioned - 60 by 60 "elbows" (360 in total). But, as we have seen, we are not talking about a spatial, but about a temporal cycle, and, therefore, these figures should be understood not as indications of size, but as encrypted data concerning the duration of certain sacred and symbolic periods of the history of human society. Many representatives of Tradition refer to a period of 360 years as the "Daniel cycle" or "Daniel's day". Accordingly, "Daniel's week" will be equal to 2520 years. If we take as a starting point the very date of Nebuchadnezzar's prophetic dream, in which he saw the "stactue" ("Colossus of History") - 603 BC - and add to it the "day of Daniel" (2520 years), then we get 1917 (year)!
As the ancient Romans said, Sapienti sat, that is: "Enough for a wise man"!
It's the end here and glory to our God!