By Cesare Sacchetti
06/19/2026
In the end, the long-awaited film, by others, landed in theaters in the United States.
Disclosure Day, the last effort of the famous director Steven Spielberg who goes back a little to his origins.
After the success of "The Shark" in 1975 and the mythical hunt for the predator of the seas led by the legendary English actor Robert Shaw who played Captain Quint alongside Roy Scheider, the American record of Jewish origin was immediately characterized by being a master, or a prophet, of the theory of alien life.
In his "Close-ups of the third type", Spielberg introduces viewers to the possibility that there are beings from other worlds capable of violating various laws of physics and of being the protagonists of several cases of disappearances never resolved, such as the one that happened to the famous aerial squadron 19 that disappeared near the well-known Bermuda Triangle on December 5, 1945.
Already towards the end of the 70s, ufology had for all intents and purposes had become a mass phenomenon.
The general public was increasingly accompanied by the idea that so-called aliens existed, and that they were the true gods, the true creators of the human race.
The occult origins of ufology
There had already been a first explosion of the ufological phenomenon after the 1930s, when several members of the Theosophical Society and its direct spiritual daughter, the New Age, began talking about how UFOs were even more than a technological manifestation, a spiritual externalization.
Benjamin Creme was one of the most active diffusers of the theories of the so-called "heavenly brothers".
Benjamin Creme
Creme was one of the most notorious occultist and esotericists of the New Age, and he dedicated his entire life to preparing humanity for the coming of aliens, as well as the mysterious esoteric figure called Lord Maitreya, an anti-Christian archetype.
According to New Age's thought, the alien is the one who elevates the human consciousness, a characteristic that makes him a religious agent in all respects.
In his various manifestations or transmissions of messages entrusted to the infamous contactists, the aliens speak precisely of the need to found a new religion, one, casually, with esoteric traits, hostile to Christianity, and in all respects identical to that practiced by free masonry.
Also for these reasons, talking about a symbiosis between ufology and Freemasonry is completely consequential, since the two religions derive from the same Luciferian root that aims to accompany humanity towards the New Age.
Cinematography served to fulfill an essential function, such as that of customs clearance, or humanization in several cases, of UFOs to the point of leading the masses to believe that there was another secret story, one silenced by the Catholic Church where man was not created by God.
In the various television lounges, especially that of the Freemason Maurizio Costanzo, a whole series of unlikely characters, magicians, astrologers, former friars who became trans, who accused the Vatican of keeping hidden those ancient "truths", those secret texts that demonstrated how man had finally been created by extraterrestrials, began to make their way.
The father of this "school of thought" was undoubtedly Zecharia Sitchin who in fact gave birth to a meta-archaeology and an alien half-history in which beings from other worlds would have been the progenitors of the ancient Sumerian, Babylonian and Egyptian civilizations.
Zecharia Sitchin
Sitchin literally invents a false translation of Sumerian texts in order to convey the idea that man was created by these so-called "annunaki", celestial beings landed from other planets that would have given man the knowledge they lacked.
Zechariah, however, was something more than just a lunatic or an impostor.
Sitchin was an agent of esoteric disinformation so much so that from his first steps he was able to enjoy the unconditional support of the powerful Rockefeller family, a universal name in the Masonic and globalist plots, who made available to him an office in the square dedicated to them, the Rockefeller Plaza, in the center of New York.
The writer of Jewish origin also had very close relationships with several intelligence agencies, in particular with the Mossad, very active in financing the various disseminators of alien theories.
Since its early beginnings after the Second World War, ufology has always seen the presence of intelligence agencies and occult circles inextricably linked to the New Age.
The very idea that there is a conspiracy of governments to keep silent about the truth about aliens is denied by the fact that Western governments have worked for more than 50 years to plant in people's minds the suggestion that extraterrestrials exist.
David Icke and the theosophy
To make a substantial contribution to the spread of this deception were they, the various supporters of ufology, starting with the infamous David Icke, who in reality did not give birth to anything that had not already been spread in the 1930s of the last century, when Orson Welles on NBC radio did his technical tests of mass psy-op through the terrorization of the Americans, convinced that the Martians had landed on Earth.
In fact, Icke made "his" the theories spread by a character like Maurice Doreal, who was the first to say that the reptiles were the true masters of the human race, also subjected to hybrid experiments, without neglecting that Doreal came from the Theosophical Society of the occultist and Satanist Madame Blavatksy.
David Icke
Ufology is, simply, a face of the world of the occult, a Masonic deception that puts the mask of the "alien" on the demon in order to take out of the territory of truth the various unsuspecting who end up in the network of such false prophets.
On several occasions, it was even confirmed by another exponent of the Theosophic Society such as Hugo Dowding, commander of the English air force, the Royal Air Force.
Dowding, versed in occultist practices, in several conferences of the 1950s said clearly that the UFO phenomenon should not be read with extraterrestrial lenses, but rather with extrasensory ones, since these phenomena are all extradimensional in nature.
The "alien" appears and disappears at will, is endowed with telekinetic powers, manipulates space and time, and is terrified by the very name of Christ, as evidenced by hundreds of testimonies that all agree in saying that just by pronouncing the name of the Redeemer, the "alien" entity immediately withdraws.
Excellent priests and bishops of the present and the past have explained the nature of the phenomenon, and among these we can remember Father Amorth and the persecuted monsignor and exorcist Stephen Rossetti, removed from his role by the bad Bergogliano cardinal and archbishop of Washington DC, Robert McElroy, for having had the "adaudace" to warn the faithful that the extraterrestrials were camouflaged demons and that the so-called "alien kidnappings" were, and are, experiences of demonic possession.
McElroy was probably disturbed by the fact that Monsignor Rossetti was giving good and dutious Catholic information, but this should not be surprising if you think that in the Church itself several priests and bishops have become spokespersons of the Masonic lie, such as Monsignor Corrado Balducci, among the first to speak of the "celestial brothers".
The language of the esotericist Benjamin Creme has become the language of several prelates, a paradox that can only be explained by the infiltration suffered by the Catholic Church, which found itself among its ranks of Masons under disguise, as had already emerged in unsuspecting times in the second half of the 19th century, after the publication of the writings of the High Sale Freemasonry.
Spielberg and the recycling of the alien psy-op
Disclosure Day can be considered a sum, or perhaps a recycling, of the deceptions that have just been said.
We start perhaps from the first chapter of this psy-op, or the phantom fall of a flying saucer in 1947 in Roswell, New Mexico, which would have been followed by a government cover-up just to silence the public that an aircraft from another planet had fallen on American soil.
The site of the so-called "alien incident" in Roswell
Much has been said about the episode by the various ufologists who have built a narrative that lasted 80 years since this incident, but nothing about the fact that the main disseminators of this thesis, and the so-called privileged witnesses, turned out to be all generously funded by the Rockefeller family.
The Rockefellers are the main patrons of the alien lie, as seen in the case of Sitchin, but their role is present in practically every mount on the extraterrestrials.
For example, one of the workhorses of the ufological community is the one that has to do with the phantom group Majestic 12, a kind of elite unit of the American government that would have had the mission of keeping the secret from the extraterrestrials and dealing directly with them.
According to this vein, around the 1950s, a treaty would also have been stipulated between the United States and the exponents of an alien race, which would also have provided for the use of alien technology in American military bases.
The documents were disseminated from the 1980s onwards, spread over a flew of internet pages at the time of the dawn of the Internet in the 1990s, without specifying that they have been examined several times and turn out to be false.
To encourage their widespread diffusion on a large scale have always been they, the Rockefellers, ready to write generous checks from the various ufological popularizers on hire in order to convince the masses that there had been a "cover-up", a conspiracy to hide, while the conspiracy was there, but for the opposite purpose, which is to spread lies about extraterrestrials as much as possible.
Every alien popularizer is always linked to such environments, such as those of the secret services or masonries that use the mestator on duty for a vast work of de-Christianization of the masses.
Hollywood, ruled by occultists and talmudists since its inception, serves precisely this.
It serves as a huge sounding board to make the lie resonate, bring it into the homes of people all over the world, who are perhaps convinced that the idea of the existence of extraterrestrials and the will of governments to remain silent is actually true.
The truth is, as seen, in the opposite direction, but what is most relevant at the moment is the timing of this film.
Globalism in search of the "alien" crisis
Spielberg had not produced such an "ambitious" film about aliens for a few years, and perhaps Hollywood felt the need to disturb a "great" signature of world cinema again in order to bring aliens back to the center of general attention.
In fact, the mass media have been talking compulsively and obsessively about beings from other worlds for at least 3 or 4 years.
E.T. is practically everywhere, on television, in newspapers that insistently talk about "flying discs" and even on the website of the Bank of England that has published an official document in which they talk about the need to prepare for an "alien invasion".
There is certainly on the part of the establishment the search for a new artificial fake crisis after the failure of the pandemic farce, and the green men, or gray men depending on the variations, are certainly one of the strong points of global governance from the 1980s onwards.
At the time, in fact, the former president of the United States, Ronald Reagan, was already doing a lot, who spoke on six occasions about how an alien attack would have aroused the need to unite the world into a single world organism in order to face the Martian invader.
The alien as an ideal enemy therefore to drag the world towards the much desired centralization and Reagan almost in the role of ghost screenwriter of the future Independence Day of 1996, in which precisely aliens invaded the Earth, and the president of the United States put himself at the head of a worldwide resistance to repel them.
Blue Beam: the technology to simulate the "alien invasion"
If there was a real threat, it was not that of the "alien", but that of those countries and intelligence services that already in those years were investing tens of millions of dollars in the infamous Blue Beam project.
Blue Beam was and is a technology that in fact allows you to simulate an alien invasion.
Through the use of sophisticated holograms, the various Western intelligence agencies intended to stage a swarm of flying discs and extraterrestrial voices that echoed in the skies in order to bring the world's population to a state of general panic and force them to accept any decision made by the various governments.
The first was a Canadian researcher, Serge Monast, who published a very rich documentation in the early 90s, in which they talked exhaustively about how world Freemasonry met periodically in Montreal to make its decisions, among which there was precisely the use of Blue Beam technology, developed by NASA, to simulate the attack of the Martians.
Blue Beam and the simulation of an "alien attack"
The alien therefore performs a double function, a spiritual one of gradual accompaniment towards the world of the occult, and the other policy, linked anyway to the first, of convincing the world that the extraterrestrial is out there and that a world government is needed to reject it.
Spielberg in the film therefore puts back into circulation, once again, the same misdirections that have been repeated for more than 50 years as an eternal return of the equal.
The filmmaker, with a strong smell of Freemasonry and accused of pedophilia since the time of his film Poltergeist in the 80s, is therefore a messenger of these environments.
The globalist elites thus hope to be saved by the Martians, but unfortunately for them you can't see Zeta Reticuli ships on the horizon.
On the horizon is what they feared more than anything.
A disintegration of global governance and a return of faith.
This blog is supported by the contribution of readers. If you want to help the free information too click below. If you prefer to support us by bank transfer, you can pay your contribution to this IBAN: IT53J0200805047000105110952
Source: https://www.lacrunadellago.net/disclosure-day-lultimo-inganno-massonico-e-ufologico-di-steven-spielberg/
By Cesare Sacchetti
06/19/2026
In the end, the long-awaited film, by others, landed in theaters in the United States.
Disclosure Day, the last effort of the famous director Steven Spielberg who goes back a little to his origins.
After the success of "The Shark" in 1975 and the mythical hunt for the predator of the seas led by the legendary English actor Robert Shaw who played Captain Quint alongside Roy Scheider, the American record of Jewish origin was immediately characterized by being a master, or a prophet, of the theory of alien life.
In his "Close-ups of the third type", Spielberg introduces viewers to the possibility that there are beings from other worlds capable of violating various laws of physics and of being the protagonists of several cases of disappearances never resolved, such as the one that happened to the famous aerial squadron 19 that disappeared near the well-known Bermuda Triangle on December 5, 1945.
Already towards the end of the 70s, ufology had for all intents and purposes had become a mass phenomenon.
The general public was increasingly accompanied by the idea that so-called aliens existed, and that they were the true gods, the true creators of the human race.
The occult origins of ufology
There had already been a first explosion of the ufological phenomenon after the 1930s, when several members of the Theosophical Society and its direct spiritual daughter, the New Age, began talking about how UFOs were even more than a technological manifestation, a spiritual externalization.
Benjamin Creme was one of the most active diffusers of the theories of the so-called "heavenly brothers".
Benjamin Creme
Creme was one of the most notorious occultist and esotericists of the New Age, and he dedicated his entire life to preparing humanity for the coming of aliens, as well as the mysterious esoteric figure called Lord Maitreya, an anti-Christian archetype.
According to New Age's thought, the alien is the one who elevates the human consciousness, a characteristic that makes him a religious agent in all respects.
In his various manifestations or transmissions of messages entrusted to the infamous contactists, the aliens speak precisely of the need to found a new religion, one, casually, with esoteric traits, hostile to Christianity, and in all respects identical to that practiced by free masonry.
Also for these reasons, talking about a symbiosis between ufology and Freemasonry is completely consequential, since the two religions derive from the same Luciferian root that aims to accompany humanity towards the New Age.
Cinematography served to fulfill an essential function, such as that of customs clearance, or humanization in several cases, of UFOs to the point of leading the masses to believe that there was another secret story, one silenced by the Catholic Church where man was not created by God.
In the various television lounges, especially that of the Freemason Maurizio Costanzo, a whole series of unlikely characters, magicians, astrologers, former friars who became trans, who accused the Vatican of keeping hidden those ancient "truths", those secret texts that demonstrated how man had finally been created by extraterrestrials, began to make their way.
The father of this "school of thought" was undoubtedly Zecharia Sitchin who in fact gave birth to a meta-archaeology and an alien half-history in which beings from other worlds would have been the progenitors of the ancient Sumerian, Babylonian and Egyptian civilizations.
Zecharia Sitchin
Sitchin literally invents a false translation of Sumerian texts in order to convey the idea that man was created by these so-called "annunaki", celestial beings landed from other planets that would have given man the knowledge they lacked.
Zechariah, however, was something more than just a lunatic or an impostor.
Sitchin was an agent of esoteric disinformation so much so that from his first steps he was able to enjoy the unconditional support of the powerful Rockefeller family, a universal name in the Masonic and globalist plots, who made available to him an office in the square dedicated to them, the Rockefeller Plaza, in the center of New York.
The writer of Jewish origin also had very close relationships with several intelligence agencies, in particular with the Mossad, very active in financing the various disseminators of alien theories.
Since its early beginnings after the Second World War, ufology has always seen the presence of intelligence agencies and occult circles inextricably linked to the New Age.
The very idea that there is a conspiracy of governments to keep silent about the truth about aliens is denied by the fact that Western governments have worked for more than 50 years to plant in people's minds the suggestion that extraterrestrials exist.
David Icke and the theosophy
To make a substantial contribution to the spread of this deception were they, the various supporters of ufology, starting with the infamous David Icke, who in reality did not give birth to anything that had not already been spread in the 1930s of the last century, when Orson Welles on NBC radio did his technical tests of mass psy-op through the terrorization of the Americans, convinced that the Martians had landed on Earth.
In fact, Icke made "his" the theories spread by a character like Maurice Doreal, who was the first to say that the reptiles were the true masters of the human race, also subjected to hybrid experiments, without neglecting that Doreal came from the Theosophical Society of the occultist and Satanist Madame Blavatksy.
David Icke
Ufology is, simply, a face of the world of the occult, a Masonic deception that puts the mask of the "alien" on the demon in order to take out of the territory of truth the various unsuspecting who end up in the network of such false prophets.
On several occasions, it was even confirmed by another exponent of the Theosophic Society such as Hugo Dowding, commander of the English air force, the Royal Air Force.
Dowding, versed in occultist practices, in several conferences of the 1950s said clearly that the UFO phenomenon should not be read with extraterrestrial lenses, but rather with extrasensory ones, since these phenomena are all extradimensional in nature.
The "alien" appears and disappears at will, is endowed with telekinetic powers, manipulates space and time, and is terrified by the very name of Christ, as evidenced by hundreds of testimonies that all agree in saying that just by pronouncing the name of the Redeemer, the "alien" entity immediately withdraws.
Excellent priests and bishops of the present and the past have explained the nature of the phenomenon, and among these we can remember Father Amorth and the persecuted monsignor and exorcist Stephen Rossetti, removed from his role by the bad Bergogliano cardinal and archbishop of Washington DC, Robert McElroy, for having had the "adaudace" to warn the faithful that the extraterrestrials were camouflaged demons and that the so-called "alien kidnappings" were, and are, experiences of demonic possession.
McElroy was probably disturbed by the fact that Monsignor Rossetti was giving good and dutious Catholic information, but this should not be surprising if you think that in the Church itself several priests and bishops have become spokespersons of the Masonic lie, such as Monsignor Corrado Balducci, among the first to speak of the "celestial brothers".
The language of the esotericist Benjamin Creme has become the language of several prelates, a paradox that can only be explained by the infiltration suffered by the Catholic Church, which found itself among its ranks of Masons under disguise, as had already emerged in unsuspecting times in the second half of the 19th century, after the publication of the writings of the High Sale Freemasonry.
Spielberg and the recycling of the alien psy-op
Disclosure Day can be considered a sum, or perhaps a recycling, of the deceptions that have just been said.
We start perhaps from the first chapter of this psy-op, or the phantom fall of a flying saucer in 1947 in Roswell, New Mexico, which would have been followed by a government cover-up just to silence the public that an aircraft from another planet had fallen on American soil.
The site of the so-called "alien incident" in Roswell
Much has been said about the episode by the various ufologists who have built a narrative that lasted 80 years since this incident, but nothing about the fact that the main disseminators of this thesis, and the so-called privileged witnesses, turned out to be all generously funded by the Rockefeller family.
The Rockefellers are the main patrons of the alien lie, as seen in the case of Sitchin, but their role is present in practically every mount on the extraterrestrials.
For example, one of the workhorses of the ufological community is the one that has to do with the phantom group Majestic 12, a kind of elite unit of the American government that would have had the mission of keeping the secret from the extraterrestrials and dealing directly with them.
According to this vein, around the 1950s, a treaty would also have been stipulated between the United States and the exponents of an alien race, which would also have provided for the use of alien technology in American military bases.
The documents were disseminated from the 1980s onwards, spread over a flew of internet pages at the time of the dawn of the Internet in the 1990s, without specifying that they have been examined several times and turn out to be false.
To encourage their widespread diffusion on a large scale have always been they, the Rockefellers, ready to write generous checks from the various ufological popularizers on hire in order to convince the masses that there had been a "cover-up", a conspiracy to hide, while the conspiracy was there, but for the opposite purpose, which is to spread lies about extraterrestrials as much as possible.
Every alien popularizer is always linked to such environments, such as those of the secret services or masonries that use the mestator on duty for a vast work of de-Christianization of the masses.
Hollywood, ruled by occultists and talmudists since its inception, serves precisely this.
It serves as a huge sounding board to make the lie resonate, bring it into the homes of people all over the world, who are perhaps convinced that the idea of the existence of extraterrestrials and the will of governments to remain silent is actually true.
The truth is, as seen, in the opposite direction, but what is most relevant at the moment is the timing of this film.
Globalism in search of the "alien" crisis
Spielberg had not produced such an "ambitious" film about aliens for a few years, and perhaps Hollywood felt the need to disturb a "great" signature of world cinema again in order to bring aliens back to the center of general attention.
In fact, the mass media have been talking compulsively and obsessively about beings from other worlds for at least 3 or 4 years.
E.T. is practically everywhere, on television, in newspapers that insistently talk about "flying discs" and even on the website of the Bank of England that has published an official document in which they talk about the need to prepare for an "alien invasion".
There is certainly on the part of the establishment the search for a new artificial fake crisis after the failure of the pandemic farce, and the green men, or gray men depending on the variations, are certainly one of the strong points of global governance from the 1980s onwards.
At the time, in fact, the former president of the United States, Ronald Reagan, was already doing a lot, who spoke on six occasions about how an alien attack would have aroused the need to unite the world into a single world organism in order to face the Martian invader.
The alien as an ideal enemy therefore to drag the world towards the much desired centralization and Reagan almost in the role of ghost screenwriter of the future Independence Day of 1996, in which precisely aliens invaded the Earth, and the president of the United States put himself at the head of a worldwide resistance to repel them.
Blue Beam: the technology to simulate the "alien invasion"
If there was a real threat, it was not that of the "alien", but that of those countries and intelligence services that already in those years were investing tens of millions of dollars in the infamous Blue Beam project.
Blue Beam was and is a technology that in fact allows you to simulate an alien invasion.
Through the use of sophisticated holograms, the various Western intelligence agencies intended to stage a swarm of flying discs and extraterrestrial voices that echoed in the skies in order to bring the world's population to a state of general panic and force them to accept any decision made by the various governments.
The first was a Canadian researcher, Serge Monast, who published a very rich documentation in the early 90s, in which they talked exhaustively about how world Freemasonry met periodically in Montreal to make its decisions, among which there was precisely the use of Blue Beam technology, developed by NASA, to simulate the attack of the Martians.
Blue Beam and the simulation of an "alien attack"
The alien therefore performs a double function, a spiritual one of gradual accompaniment towards the world of the occult, and the other policy, linked anyway to the first, of convincing the world that the extraterrestrial is out there and that a world government is needed to reject it.
Spielberg in the film therefore puts back into circulation, once again, the same misdirections that have been repeated for more than 50 years as an eternal return of the equal.
The filmmaker, with a strong smell of Freemasonry and accused of pedophilia since the time of his film Poltergeist in the 80s, is therefore a messenger of these environments.
The globalist elites thus hope to be saved by the Martians, but unfortunately for them you can't see Zeta Reticuli ships on the horizon.
On the horizon is what they feared more than anything.
A disintegration of global governance and a return of faith.
This blog is supported by the contribution of readers. If you want to help the free information too click below. If you prefer to support us by bank transfer, you can pay your contribution to this IBAN: IT53J0200805047000105110952
Source: https://www.lacrunadellago.net/disclosure-day-lultimo-inganno-massonico-e-ufologico-di-steven-spielberg/
